- ‘Euromaidan. Lyrical chronicle’ is some kind of collection of keenings
- Both keening and silence are really considerable.
- In the context of Maidan literature it’s not important who is talking, it’s important about what.
- Everybody was an adult child on Maidan, not depending on his/her age.
Researching of “such” literature is like flying a hot air balloon: You are able to see more, Your horizons of comprehension become wider… Nevertheless You are able to understand this experience, reconsider it only when You firmly stand on the ground, come to yourself, talk about that calmly in a balanced manner and (the most important!) when enough time has already passed after that.